I am a freelance editor with twelve years of editing experience and a lifetime of word nerdiness. Services include editorial assessment/critiques, developmental editing, copy editing, and one-on-one coaching. Craig, NYT bestselling author of House of Salt and Sorrows

I'm so happy I got the chance to work with Jeni and happily recommend her to any writer I know!'Įrin A. She's amazing at helping writers further develop their skills and on top of all of that, she's a truly lovely person, always encouraging and one of my biggest cheerleaders. Not only did she strengthen my first novel, but I've had her voice in my head while writing the next to follow. We chatted a bit before I received my edit letter and then after again, to really polish and hone the trouble spots. 'I cannot rave enough about Jeni! We met during the inaugural year of #RevPit and I was immediately struck by how much she just GOT my novel! Her notes were thorough and insightful and I was blown away by the depth of understanding she had for my characters and the story I was truly trying to tell. I co-host two writing podcasts, Story Chat Radio and Indie Chicks, and volunteer with several communities that seek to help writers improve their craft. In my twelve years of editing (and a lifetime of word nerdiness), I've edited a wide variety of fiction and nonfiction in all age categories and worked with over one hundred authors from all over the world, including bestselling and award-winning authors. Whatever your path to publication, I'm here to guide you. I've helped traditionally published authors like Angie Thomas (The Hate U Give), Erin Craig (House of Salt and Sorrows) and Shannon Price (A Thousand Fires), small-press authors like Kat Turner and Justine Manzano, self-published authors like Whitney Hill (award-winning Otherside Series) and Melissa Koberlein, and hybrid authors like Amy Reade and Gayle Trent. I'm a professional editor who edits most genres but specializes in fantasy, soft science fiction, historical fiction, and mystery-and mashups of those genres.

You want someone experienced who knows how to focus on your vision of your story (it is YOUR story, after all) and help you see what you're doing well and what you can improve on. You've gone as far as you can with your own manuscript-you've drafted, read craft books, gotten feedback from critique partners and beta readers, and revised a few (or more than a few) times! Now you're ready for professional feedback.

Appetites & Vices by Felicia Grossman